Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Europe while paintings and prints from

while paintings and prints from the Carnavalet Museum evoke the luxury of the rue de la Paix and the Place Vendôme at the beginning of the 20th century

rich in a hundred paintings

from the Second Punic War to the Severan Empire 227 Pierre Assenmaker: Choosing One's Gods in Times of Civil War The Religious Legitimization of Power in the Roman World Seen Through Coinage 245 Abstracts 267

it has now become an indispensable tool for the study of this part of the collection

Etre moi toujours plus fort. Les paysages intérieurs de Léon Spilliaert. Europe while paintings and prints fromOstend, early 20th century. A young, melancholic painter, Lon Spilliaert, gazes at the sea through the darkness. He bears a Flemish name; admires his compatriot Ensor; and is haunted by the unstable geometry of his hometown and by the secret life of appearances and shadows. A century later, Stphane Lambert returns to his homeland and, in turn, undertakes the same geographical journey where thoughts merge with the painter's troubled universe. For art